The remarkably durable James Bond has been on screen for 50 years and thanks in part to the series’ gift for endless re-invention, Bond’s cinematic adventures will likely outlive us all. (more…)

The remarkably durable James Bond has been on screen for 50 years and thanks in part to the series’ gift for endless re-invention, Bond’s cinematic adventures will likely outlive us all. (more…)
A long-in-the-tooth Roger Moore finishes out his lengthy run as James Bond with A View to a Kill. With the inimitable Christopher Walken and Grace Jones as villains it can’t be all bad, can it?
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I’m not sure if fans were clamouring to see Roger Moore dressed as a sad clown during the climax of a James Bond film, but the suggestively titled Octopussy fulfils that wish anyway.
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Like the child that rebels against hippie parents by being conservative, For Your Eyes Only steers the Bond franchise towards gritty realism after the fantastical sci-fi of Moonraker.
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The success of Star Wars in 1977 prompted Eon to speed up production on Moonraker, a bandwagon-jumping science fiction Bond film that proved Earth alone couldn’t contain 007’s exploits.
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After two shaky movies, is the third time a charm for Roger Moore’s James Bond in The Spy Who Loved Me?
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Roger Moore returns as James Bond and faces off against the superfluous-nipple villain Scaramanga in the funhouse weirdness of The Man with the Golden Gun.
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Sean Connery’s out and Roger Moore’s in as 007 in the blaxploitation-era Bond pic with the killer theme song – Live and Let Die.
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